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Salerno Cultura -
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  4. Arechi II

Arechi II

Arechi II, a Lombard prince, is the second founder of the city of Salerno. In the 8th century Salerno, thanks to him, became the city that would give birth to the Salerno Medical School and be called Opulenta Civitas.

Data/periodo nascita

734

Data/periodo morte

787

Ruolo / Attività

Principe longobardo

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Biografia completa

Arechi, a Lombard prince, is the true and new founder of the city, which already existed in Roman times but had fallen into decay after the end of the empire. Longobard rule began in Italy in 568 with the conquest of Friuli, which was followed in a few years by the conquest of the entire peninsula, especially, in its inland areas. The Lombards were the last “barbarians” to invade Italy. A Germanic population of Scandinavian origin, they were nomadic warriors divided into social classes, at the head of which were, precisely, warriors. From Cividale to Pavia, the capital, from Spoleto to Benevento, the Lombard cities for two centuries were the centers of political life in Italy. In 774 Charlemagne descended into Italy and defeated the last Longobard king, Desiderius, after repudiating the daughter Ermengarda whom he had married (who remembers, “Scattered the soft braids on her weary breast…?”). Northern Italy was, therefore, annexed to the reconstituted Western Roman Empire.
Only Benevento and the southern part of the peninsula remained Lombard, and here Arechi, who had married another daughter of Desiderius, laid the foundations of Langobardia Minor, as the southern part of Lombard rule came to be called.
Arechi decided to find an outlet to the sea, and, therefore, moved to Salerno, followed by a group of Lombard nobles, and refounded it as his new capital. He strengthened the castle built by the Byzantines, a castle still named after him, built a large palace for himself on the seafront, and built the Palatine Chapel, dedicated to Saints Peter and Paul, in the place where we can still visit it today.
Arechi ruled Salerno until 787 for nearly thirty years and sought, on the one hand, to live in peace with Charlemagne, a cumbersome neighbor from the north, and, on the other, to expand the city’s power to the south, at the expense of the Byzantines, thus marking Salerno’s policy for the next centuries. The Chronicon, written by an anonymous citizen of Salerno in the 10th century, tells of the splendor of Arechi’s palace, and thus describes the reception of Charlemagne’s ambassador:
“At the one and the other side of the staircase of the palace he had some young men arranged, holding with their hands sparrow-hawks and other such birds; distributed then, teenage pages, of whom some were also holding with their hands sparrow-hawks, others different birds, while other young men were playing among themselves by a table. Here and there he arranged scattered, as has been said elderly people, and finally he arranged in a circle some old men holding a staff, and surrounded by them, in a golden throne, sat the prince.” Paul the Deacon, the Lombard historian who lived at his court, wrote farewell verses in his honor: “You adorned the country with science, buildings, royalty, for which eternal will be your glory. You have been to your subjects peace, harbor, salvation, glory, delight, universal love.”
The Lombard principality lasted for more than three centuries, until the arrival of Robert Guiscard, the Norman who finally unified the whole of southern Italy and laid the foundations of the kingdom that was later founded by his grandson Roger.

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  • Cultural Venues and TheatresCultural venues and theatres in Salerno enliven the city’s artistic life with a dense network of historic halls and contemporary spaces dedicated to theatre, cinema, music and performing arts. From the Municipal Theatre Giuseppe Verdi and the Cinema Teatro Augusteo to the Teatro Ghirelli, Sala Pasolini and neighbourhood theatres such as Teatro delle Arti, Piccolo Teatro del Giullare and Teatro Nuovo, these spaces host seasons, festivals, workshops and projects that make culture accessible to residents and visitors all year round.
  • Churches and MonasteriesThe churches and monasteries of Salerno preserve the spiritual and historical heart of the city, especially in the old town centre, where monumental buildings and more intimate spaces tell centuries of faith and art. From the Cathedral of San Matteo to the monastic complexes of San Benedetto, Santa Sofia and San Giorgio, a journey through these sites crosses different eras — from medieval and baroque architecture to spaces now repurposed for culture — keeping alive the connection with the religious roots of the territory.
  • Palaces and SquaresPalaces and squares in Salerno form a vibrant urban fabric, where noble residences, historical archives and monumental spaces recount the city’s civil and social evolution from the Middle Ages to the twentieth century. From Piazza Portanova and Largo Campo to Piazza Abate Conforti, from Palazzo Fruscione to the City Hall and the many historic buildings along Via dei Mercanti and in the Duomo district, every corner offers evocative architectural settings that combine history, everyday life and the symbolic places of the Salerno community.
  • Museums and ArchaeologyMuseums and archaeology in Salerno recount the thousand-year history of the territory through artefacts spanning from prehistory to the Roman era, housed in a network of institutions spread across the city. From the Provincial Archaeological Museum, hosted in the former monastery of San Benedetto and dominated by the famous bronze head of Apollo, to civic and diocesan museums and the routes dedicated to the Etruscan-Samnite sites of Fratte, each exhibition offers an immersive journey through everyday objects, funerary goods, sculptures and the evidence of ancient civilisations in the Salerno area.
  • Gardens and ParksGardens and parks in Salerno offer a widespread network of green areas stretching across the entire city — from historic gardens to large urban parks — creating spaces for relaxation and socialising just steps from the sea. From the Parco del Mercatello to the Parco del Seminario, from the Parco dell’Irno to the gardens of the eastern district and the Giardino della Minerva, these places combine nature, outdoor sports and cultural events, enhancing the urban landscape and making the city more liveable in every season.
  • Modern ArchitectureModern architecture in Salerno reshapes the relationship between the city and the sea with iconic buildings and open public spaces, transforming the waterfront into a new contemporary urban hub. From the Crescent and Piazza della Libertà to Zaha Hadid’s maritime station, the Santa Teresa seafront and the Cittadella Giudiziaria, a dynamic architectural landscape emerges — one of fluid lines, essential volumes and sea-facing squares designed for the social and cultural life of the city.

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