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  4. Roberto il Guiscardo

Roberto il Guiscardo

Robert Guiscard, the astute, conquered Salerno and made it his capital, to go on to conquer the whole of the Mezzogiorno and begin the expulsion of the Arabs from Sicily, a work completed by his nephew Roger, the first King of the two Sicilies.

Data/periodo morte

1085

Ruolo / Attività

Duca normanno, conquistatore

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Biografia completa

Robert Guiscard was not from Salerno, but he came to Salerno from afar, and was so well liked there that he made it his capital.
He was a Norman and the son of another Guiscard, that is, cunning, shrewd, and that says a lot about him. Strange people, these Normans, who conquered half of Europe with their unbeatable heavy cavalry. They were originally Vikings, “Northmen” who had conquered a piece of France, Normandy, a century earlier. From there, fierce and restless, remaining wanderers like the pirates they were, they set out to conquer other lands.
And Guiscard instead came to Salerno, called by the Lombard prince Guaimarius, who gave him his daughter Sichelgaita in marriage. But Guiscard could not be vassal to anyone, quarreled with his father-in-law, then with his brother-in-law Gisulph II, who succeeded him, and left Salerno, starting to fight, and defeat, armies from all over the world. He defeated the pope, and took him prisoner, but then made an alliance with him; later he attacked the Byzantines and the armies of Salerno, conquering Apulia and Calabria. He attacked the Arabs at this point, initiating the conquest of Sicily.
He then decided to get rid of his brother-in-law, and conquered Salerno, ending the glorious history of the Lombards. He left for Greece, going to disturb the Byzantines at their home, and also conquered Cyprus, and was at the gates of Salonika, heading for Byzantium when he learned that Pope Gregory VII was besieged by the Germans in Rome. He left Greece, landed in Apulia, with a mad ride arrived in Rome, taught Henry IV, the one of Canossa, a lesson, and brought Gregory back with him, who ended his days in Salerno. He did not catch his breath, for he left again for the lands of Greece, and there he died during the siege of Cephalonia. This was 1085, the history of Salerno was living its best moment, the cathedral of St. Matthew had been built and the Medical School had its best representatives. But it was also the beginning of decline for the beautiful city, capital of Guiscard, who built Castel Terracena as his own palace.

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  • Cultural Venues and TheatresCultural venues and theatres in Salerno enliven the city’s artistic life with a dense network of historic halls and contemporary spaces dedicated to theatre, cinema, music and performing arts. From the Municipal Theatre Giuseppe Verdi and the Cinema Teatro Augusteo to the Teatro Ghirelli, Sala Pasolini and neighbourhood theatres such as Teatro delle Arti, Piccolo Teatro del Giullare and Teatro Nuovo, these spaces host seasons, festivals, workshops and projects that make culture accessible to residents and visitors all year round.
  • Churches and MonasteriesThe churches and monasteries of Salerno preserve the spiritual and historical heart of the city, especially in the old town centre, where monumental buildings and more intimate spaces tell centuries of faith and art. From the Cathedral of San Matteo to the monastic complexes of San Benedetto, Santa Sofia and San Giorgio, a journey through these sites crosses different eras — from medieval and baroque architecture to spaces now repurposed for culture — keeping alive the connection with the religious roots of the territory.
  • Palaces and SquaresPalaces and squares in Salerno form a vibrant urban fabric, where noble residences, historical archives and monumental spaces recount the city’s civil and social evolution from the Middle Ages to the twentieth century. From Piazza Portanova and Largo Campo to Piazza Abate Conforti, from Palazzo Fruscione to the City Hall and the many historic buildings along Via dei Mercanti and in the Duomo district, every corner offers evocative architectural settings that combine history, everyday life and the symbolic places of the Salerno community.
  • Museums and ArchaeologyMuseums and archaeology in Salerno recount the thousand-year history of the territory through artefacts spanning from prehistory to the Roman era, housed in a network of institutions spread across the city. From the Provincial Archaeological Museum, hosted in the former monastery of San Benedetto and dominated by the famous bronze head of Apollo, to civic and diocesan museums and the routes dedicated to the Etruscan-Samnite sites of Fratte, each exhibition offers an immersive journey through everyday objects, funerary goods, sculptures and the evidence of ancient civilisations in the Salerno area.
  • Gardens and ParksGardens and parks in Salerno offer a widespread network of green areas stretching across the entire city — from historic gardens to large urban parks — creating spaces for relaxation and socialising just steps from the sea. From the Parco del Mercatello to the Parco del Seminario, from the Parco dell’Irno to the gardens of the eastern district and the Giardino della Minerva, these places combine nature, outdoor sports and cultural events, enhancing the urban landscape and making the city more liveable in every season.
  • Modern ArchitectureModern architecture in Salerno reshapes the relationship between the city and the sea with iconic buildings and open public spaces, transforming the waterfront into a new contemporary urban hub. From the Crescent and Piazza della Libertà to Zaha Hadid’s maritime station, the Santa Teresa seafront and the Cittadella Giudiziaria, a dynamic architectural landscape emerges — one of fluid lines, essential volumes and sea-facing squares designed for the social and cultural life of the city.

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